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“I use the Bad Kitty for all of my distorto tones in my mixes. It is one of few fuzz/overdrives that tracks the attack of the performance and produces a very solid distortion. It tracks exactly how you play. Every guitar player falls in love with it immediately. It produces everything from unique to familiar. As far as fuzz/overdrives it is the most versatile yet simple pedal I’ve used”.
Kelly Donnelly
Engineer, Producer .
Eric Johnson, Mike Stern, Doyle Dykes.
“Not since the Big Muff (from the 70’s) has there been a Fuzz that is so inspiring”
Mitch Watkins
(Lyle Lovett,Joe Ely, Jennifer Warnes, Jerry Jeff Walker, Paul Glasse)
“Bad Kitty. It’s an amazing fuzz pedal. I highly doubt I’ll ever need or get a new one! Thank you so much for all your great work and contributions!
Designed by Lee Jackson to create a new type of Fuzz
The Bad Kitty has come from designing signature sounds from some of the most iconic players in the industry.
The responsive controls will take you from Mild Fuzz to Highly Compressed Fuzz.
Between the multiple controls, you can dial the exact amount of Fuzz, and Distortion you crave. The Hair switch puts the pedal over the top, and creates a sound, that could only before be done, with multiple pedals plugged into each other.Ultra-high Input impedance which allows the pedal to mate with any type/gain of pickup and react well to changes in your guitar’s volume control.
Vicious, Massive sounding Distortion, the most versatile distortion ever made.
Get ready for an onslaught of harmonically rich saturation
Built in the USA and designed to withstand the abuse of being on stage, the Bad Kitty is a must have pedal for any tone enthusiast.